02 March 2010
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25 February 2010
Calendars and the Real Life
Click for calendars:
I use the above screenshots to open this post because I am not ready yet to let go of the image that study abroad is glamorous and whirlwind and fabulous. I want you to see me being a jetsetter and literally packing my months to the brim (see: April). I want you to imagine me falling into my bed at the end of another day spent hopping ‘round London taking in all this history and beauty and experience.
I don’t want you to know that sometimes I have days like today, where the most exciting thing that I do is throw together an outfit that gives me one more day away from the laundry room. I want to write, to give you my stories, but all I have is this: just because they are called “digestives”, that does not mean they are the same as Activia, and that does not mean that the 86 calories each of them offers is any special, magic sort of calorie. What I’m trying to say is, eating upwards of 15 of them in one day does not leave you feeling like you’ve really done good for your digestive system. See, these are the things I really discover each and every day here in England. Glitz and glamour be gone.
And since words are not with me right now – I started this out thinking they were and am too stubborn to give up on it – I will leave you with these tidbits:
Even though I am a little upset at words (as an entity, which yes, they are, don’t argue) right now for failing me, my new favorite is “voracious”. My English Novel professor used it in class on Tuesday and I rediscovered it and love it. I want to live voraciously; is that possible? I will make it happen. What’s your favorite word?
This is the song I wake up to every morning:
Live versions (here and here, especially) do it so much more justice but at the same time are not an accurate depiction of my morning, which is less celestial and transcendental and beautiful, and more “WHERE IS MY SNOOZE BUTTON” followed by lots of ceiling-staring. But still, I like to think waking up to this, once I am up, sets me off on the right foot.
And for a sneak peek of my Cambridge entry – which I PROMISE will be up by the end of the weekend, between studying for Management and finally tossing out my trash. I am telling you, this study abroad is more than meets the eye.
19 February 2010
A Fergalicious Few Days
This entry is about my weekend so far, which subsequently means that it is pretty much only about my English Novel in the 19th Century class. It gets incredibly – though I’d like to think not painfully – long near the end; I almost want to apologize but I don’t because I just really want to share with y’all all of the awesome things I am seeing! So skip over it, I won’t be offended (I guess), but it’s pretty cool stuff, yo.
Tuesday was a yucky day, weather-wise, but I think it added to the whole experience. I spent the morning trudging around Chiswick House, the Earl of Burlington’s old digs in west London. The grounds are pretty (gorgeous labradors running all over green lawns!), and every room of the house is a different shape: rectangular rooms flanked by a circular room on one end and an octagonal on the next; the whole idea is not very space-efficient but I didn’t think it nearly as heinous as I would expect myself to.
Then it was another afternoon of English Novel, in which we chatted about Jane Eyre and sat for a 40-minute lecture (I mistyped 400-minute at first, which seems more accurate) on “What is a metaphor?” because we were not performing up to snuff in Professor Ferguson’s (known forevermore as Fergie Ferg) group activity. It was painful, to say the least, but we made it through and definitely earned our pizza at a delicious little cafĂ© nearby campus. The pizza was a pitstop en route to north London (though we were all convinced she was actually taking us to Scotland), where we saw a community theatre production of The Importance of Being Earnest, in this teeny theatre above one of the neighborhood bars – cozy alarm. I always forget how much I absolutely LOVE The Importance of Being Earnest; the pacing and wit of the play are to die for, in my opinion. Aunt Augusta forgot some lines and hilariously broke her umbrella (at which point the scene was toast; Gwendolyn was sitting right in front of the discombobulated accessory trying so hard to keep a straight face for the rest of the act) but all in all I was impressed. It was still a torrential downpour by the time we were heading back, but it was an absolutely fantastic trip with countless hilarious moments. It was a bonding experience, to say the least; I loved it!
Wednesday was spent inside doing work and pilfering away a fantastically beautiful day, which I intended to make up for Thursday only to wake up to more clouds and rain. I made it out of the building finally last night, to Piccadilly Circus for the three-story O’Neill’s bar: there was a live cover band, with a few questionable song choices (“Creep” by Radiohead? What am I supposed to do with that in a scene that is a glorified frat party?) but a good night of dancing nonetheless.
I woke up this morning to another great sunny day! I just tooted around most of the morning before meeting my Novel class at the British Library, just down the street from my dorm. I pass it every day, and after today’s adventure I will be stopping by much more often! Here is where it gets long, but read on for an extensive list of all the things I saw!
- The Rubaiyat of Omar Khayyam. As of this morning, I was a total stranger to this, so hearing about it for the first time ever from a woman with a relatively heavy Scottish accent blew my mind on impact. It’s a translation, most notably by Edward FitzGerald, of Persian poems attributed to this Omar Khayyam fellow. The quatrains were displayed all throughout the exhibit, and just from reading a few of them I’ve decided to read them all on my own and then revisit the exhibit so that I have a better idea what I’m looking at. I noted a few that I particularly liked:
“With them the Seed of Wisdom did I sow,
And with my own Hand labour'd it to grow:
And this was all the Harvest that I reap'd --
‘I came like Water and like Wind I go.’" (30)
“Then to the Lip of this poor earthen Urn
I lean'd, the secret Well of Life to learn:
And Lip to Lip it murmur'd -- "While you live,
Drink! -- for, once dead, you never shall return." (37)
- Samuel Johnson’s first English dictionary. This was the beginning of the manuscripts room, and I was impressed by it largely because defining words is such an interesting science. When you try to do it, it’s always so hard – remember in elementary school when they’d lecture us not to use the word in the definition? Imagine being the person to assign words meaning! It’s like a modern-day Noah. Look at me, calling 1755 modern-day; maybe I am coming to grips with how old everything in this country is? But probably not, it still really freaks me out. Also, “his selection of illustrative quotations ‘from the best writers’ helped establish the literary canon”; no pressure, dude. Finally, one of the placards in the case had this quote of his, which I loved: “Language is the dress of thought.”
- Beowulf manuscript. To be honest, it went pretty much right over my head; I’ve never read Beowulf and haven’t heard rave reviews (though all the reviews I’ve heard have been from high school students, who have been scientifically proven to hate reading and, to some degree understandably, especially when it’s assigned for those pesky high school English courses). But still, it’s the only surviving manuscript of it in the world so that’s pretty sweet. And to be the oldest is impressive when it’s believed to have been written TEN TO THIRTEEN CENTURIES AGO. What is that. (Besides being 1,000 to 1,300 years, which I can tell you what that is: utterly nuts. Nutterly.)
- JANE EYRE MANUSCRIPT. “Reader, I married him." To see the first-ever version of this line – the one Charlotte Bronte literally penned herself – was incredible. Next in the case, Persuasion was sitting on Jane Austen's actual writing desk, as were her glasses. The ones on her face. They touched Jane Austen’s face as she wrote a novel that I just studied in class.
- The original Alice in Wonderland. Complete with incredibly Tim Burton-esque illustrations in the margins; I felt like I was back at the MOMA exhibit! I thought it was really interesting that two men, both so drawn to this story, had such insanely similar drawing styles, over 100 years apart.
- So much music!
-- Manuscript of Handel’s Messiah, and the libretto used for the first ever performance. No explanation needed.
-- Autograph score of Mozart’s Horn Concerto in E-flat. A young girl stood in front of it doing what I, in my musically-inept state, can only assume was reading it and singing it under her breath. It was such a beautiful example of music’s transcendence of time and space to see someone born in the 21st century interacting with pieces from the 18th century.
-- Beethoven’s Violin Sonata in G Minor. It was covered in editing marks, which made me like it more than had it been pristine. I love seeing artists work through a piece. It reminds me of the first time I saw Monets in person, which was actually just this past fall semester at the MOMA. In one of the pieces (forgive me, I don’t remember which), he didn’t take the paint all the way to the edges of the canvas, which I really liked. Becca and I both noted how it made it feel so real, how you could feel him sitting there putting this beautiful art together piece by piece; in fact, B recently blogged about the sensation I’m trying to describe! Yeah, that was a plug, but I love her and so do you so go read it. Besides, she says it a lot better than I ever could.
-- Mendelssohn’s Wedding March. It was pretty surreal to see the origins of something that is now such a tradition – I totally fall for wonderful things like the viral wedding entrance to “Forever”* (still h8 you Chris Brown), but there’s nothing like those chills you get when this start, everyone stands up, and she’s standing in the back of the church. And it all started in this notebook!
-- Beatles. There was a whole case with sheets of the lyrics for some of their biggest songs: Yesterday (working title: “scrambled eggs” – so incongruous, right?), Help!, Michelle (on the back of an envelope), A Hard Day’s Night (on the back of a birthday card), a few lines by George Harrison on the back of directions to their agent’s flat. The ones scratched onto the back of other papers were my favorite, because I love the image of being overcome with an idea and needing to get it out into the world as soon as physically possible – even if that means you have to go buy your son a new birthday card because you’ve just grabbed the one that was supposed to be his. And these ideas became worldwide hit tracks!
- Intricate notebooks and bindings from Switzerland, France, Spain, England, Italy. Still too gaudy for my taste; I don’t want to shut any doors and say I will never be down with the baroque/Rococo style but I really am beginning to wonder if there’s hope for me. Nonetheless, the elaborate decoration of the covers – and the edges of pages even, not just gold but with full-on art on them! - is suggestive of so much respect and reverence for the words and stories inside; if the books are this beautiful closed, imagine what they must be like once opened and delved into.
- Codex Sinaiticus. Produced around the middle of the 4th century, it’s the earliest manuscript of the New Testament in Greek, and earliest and best witness for some books of the Old Testament. Just SO OLD. Also, the Codex Alexandrinus, and Psalms 12-15 on papyrus, from the 3rd century. Seriously, older than most dirt.
- Copy of the gospels completed by presbyter Constantine 27 May 995. I flipped out over this because, though I wasn’t entirely sure (I put a question mark over the word “presbyter” because I’m a nincompoop) I liked to think that they meant the Constantine; but alas, we have about a 600-year discrepancy that tells me two things: I was wrong, and I suck at history. But, it was really gorgeous – scripture arranged on the page to be in the shape of a cross; beautiful writing – and just so freaking old.
- Early sutras – to be continued; at this point I had to regroup but I will be back to see... the Magna Carta! Gutenberg Bibles – 2 of them! And, the 19th Century Photography exhibit - the whole reason we were supposed to go for class, the exhibit I’m supposed to write a short paper about but was on museum-overload by the time I got to it.
15 February 2010
ketchup: Bath and Stonehenge, 07/02/2010
WHERE:
WHEN:
WHAT:
Last weekend (look at me go! So close to caught up), I went on another day trip with NYU. The week before had been spent stressin’ max over presentations, books to be read, and architecture papers; actually none of the aforementioned work was completed by my departure on Sunday morning, but I did my best to let the day be about the trip I was taking rather than the thoughts of “Oh I shouldn’t be here because I have so much work to do.” Adopting this mindset wasn’t as difficult as I make it sound (as any recent student probably knows all too well), and it paid off!
We set out bright (not really, since it’s London) and early Sunday in two coaches, and the organizer on our coach was nice enough to our tired brains to leave the history lesson for right before our arrival at the big rocks. I missed some of the pretty countryside views because I was a-snoozin’, but what I saw was really gorgeous and totally what I expected. The landscape reminded me kind of the Northeast in the fall, like what I saw when took the bus to
We de-coached with busses to one side and this view to the other, so there were plenty of cheeky comments about, “Wow, it must be smaller than I imagined,” but then we traversed our way through the “subway” (that’s what they call underground pathways here, and it throws me off everytime!) and… voila!
Vanna White-style, ya knowww
The area is roped off with a path that goes all the way around
The sheep were also a big hit; we are such city kidz.
Here, I think the igneous ingenious artist was trying to send a message about the social climate; on the right we’re shown the alienation of the other, and to the left the structure and order of an exclusive social group.
And upon closer investigation, we’re drawn to believe the outsider is such because of his appearance; his sedimentary lifestyle has left him pock-marked and asymmetrical, much unlike his sturdy counterparts. Again, a commentary on the materialism and image-consciousness of society.
Turning around, we’re reminded of just how solid the group is, how set in stone their hierarchy and group dynamic is; we’re almost lead to believe it’s been this way for thousands and thousands of years. Is there hope for social change, a metamorphic revolution?
Or are we destined to forever face angst and depravity like that we see exuding from this character?
After such in-depth analysis (and some extensive child-stalking – see Facebook), I was ready for the Stonehenge-Bath leg of the excursion, but not before I got something in my belly; I am unfortunately not over my propensity towards car-sickness, no matter how hard I try to act like I am not 7 years old anymore. I couldn’t not order a “rock cake” at the Stonehenge snack bar; it was really just a glorified cinnamon scone, but it was still yummy, and washing it down with a cup of warm peppermint tea really took it to the next level. Emeril would have BAM’ed.
The trip was a quick hour, and ended with the most AMAZING views of the city of
We were split into groups and met up with our tour guides in the little plaza outside Bath Abbey, which is this pretty little thang.
They were just closing the doors for afternoon services, but I managed to snag a little glimpse at the pretty stained glass on the inside. Apparently, because of all the stained glass and the way the church is situated on a hillside, when the inside is lit up for evening services it earns itself the nickname “Lantern of the West”; we didn’t get to see this in action but I’m sure it’s absolutely breathtaking.
Also in the plaza is the entrance to the baths, and the pump room, with this inscription (in the frieze; under the pediment – a feature of classic architecture; situated atop Corinthian orders – MDS, if you’re reading, still waiting on that A). It means “Water is Best”, which I really like (the phrase, but also water itself).
Then our absolutely, unbearably, fantastically adorable guide Felicity took us around the corner to the King and Queen’s baths, to the new Thermae Spas (which had quite the opening ceremonies, read on), to this random complex of apartments that are sort of their version of a nursing home only cuter and more European and beautiful. Retirement, for real.
Most of the buildings in
The building on the left has some of the windows filled in; apparently,
These houses make up the
A view of the houses on the side, in case you get lost on the way to see me, or want to move in close to me. We can picnic in the park!
Over the past few years,
Inside the Assembly Halls, which are very pretty and I would not say no if anyone wanted to marry me in one of them. Each of those chandeliers are insured for £1m each, so they will clearly look just great if I spread them throughout my
Sedan-chairs, the taxi (or car-service, depending on your status) of ancient Bath. The entire tour kept coming back to these suckas (or at least Baby F mentioned them at every opportunity) so it was a little bit of a let-down when turns out they are not the majestic Jesus-toters she made them out to be. But I still would not say no to being hauled around in one. The black one is the working-man’s version, the white one is for important people like you and I.
At the end of the tour, we had a photoshoot with our new best friend, sampled orange-chocolate fudge (like Chocolate Oranges, but fancy), and roamed around
Once armed with our handy-dandy audio guides, we were let loose within the Roman baths.
From the balcony, with Bath Abbey in the background.
Another section of the baths, off to the side. In this pool, you could see the water naturally bubbling to the surface; jacuuuuzzi jacuuuuzzi!
This was probably my favorite part of the whole thing. It was kind of off to the side and quieter, and we were able to get close enough to really feel the heat, and I really got a sense of what an experience the baths must have been. The stones are stained that bright orange, and the greens to the side, because of minerals and nutrients (which are one in the same, I’ve always assumed) in the water. Looking at it now I am really so glad I ingested an entire glass’ worth of this deliciousness.
Later on, after seeing remnants of old entryways and tombstones, and after playing around at the exhibit that showed the hook apparatus they used to get ‘er done, I found my orange water again! (Who loves orange water; Kel loves orange water). I also found the light at the end of the tunnel.
After the religious experience, I went back out to the main area and touched some of the water, which I will say was the perrrfect temperature for bath water. Our Earth is so good at its job; love your Mother.
A random steam room off of the main bath
Finally, the moment we’d all been waiting for! The Bath water is apparently really great for your joints; tastebuds, no. Blood, pennies, my permanent retainers, (D) all of the above. But I did the deed and emptied my glass!

















































